LAST TRIBE (2002) (English)

 

Magnus Karlsson was born in south of Sweden in 1973. He began playing guitar at age 10, and almost immediately started his first band. He studied classical guitar in school, but his band was into “The New Wave Of British Heavy Metal” and he listened to bands such as IRON MAIDEN, JUDAS PRIEST, DIO and BLACK SABBATH.

In 1989 Magnus decided to devote the most of his time to become a better guitar player and songwriter. His main influences were Steve Morse, Steve Vai and Allan Holdsworth. He played in different metal and fusion bands and developed a style that mixed metal with folk music. He joined a Celtic folk group in 1991 called HOT PEBBLE and toured in Scandinavia for two years as a guitarist and a banjo player.

In 1996 he started an education at MALMOE COLLEGE OF MUSIC and was awarded a master degree in “music education” 2000. During the time in college Magnus started to write songs in the metal tradition again and started LAST TRIBE. He also joined MIDNIGHT SUN on the “NEMESIS” album released in Europe in late 2000 by POINT MUSIC. Magnus got a lot of attention in the media due to his incredible skills and tasteful approach, including important magazines like YOUNG GUITAR, BURRN! etc.

LAST TRIBE was put “on hold” for a while, but Magnus kept on riting his own songs after the recordings and promotion of MIDNIGHT SUN. The final result is “THE RITUAL”, the band’s debut album which can be described as melodic metal with a touch of progressive elements and very strong vocals. The debut album that where released on FRONTIERS/NOW & THEN on June 25th is called “THE RITUAL” and was produced by Anders “Theo” Theander (PAIN OF SALVATION, MIDNIGHT SUN, SANDBERG etc.).

After a critically successful debut album “THE RITUAL” (87/100 BURRN! – 5/6 ROCK IT – 8/10 ROCK HARD – 6/7 METAL HAMMER – 10/12 HEAVY ODER WAS etc), the band faced the fact of topping such an album and Magnus started to write new songs for the follow up during the summer of 2001. Magnus has his own small
home studio that made it convenient for co-producer Anders “Theo” Theander to get into the new material. It was easy to realize that the new album had some really killer songs to work on. As the debut album got raving reviews from most of the important magazines in both Europe and Asia, this was a really important album.

In the meanwhile key members Magnus and Rickard decided to part ways with Kristoffer and Paeron this new album. They are all still good friends but the way the new album progressed, Magnus decided that this was for the best. The progressive elements are highly advanced and needed experienced musicians as Dick and Jaime.
Jaime needs no further introduction, as he is one of Sweden’s top drummers and also a co-member with Magnus in MIDNIGHT SUN, therefore this choice seemed to be an obvious one. Since Jaime is no longer a member of THE FLOWER KINGS, he decided to join Magnus and Richard in the band. Dick Loevgren is a high profile bass
player and has been a good friend of Rickard for many years. Dick and Rickard have been working together in the ARMAGEDDON-project with Chris Amott, Daniel Erlandsson on the “EMBRACE THE MYSTERY” (TOYS FACTORY) album, who toured in Japan about a year ago. Dick has also toured with bands such as ARCH ENEMY and IN FLAMES. The lead singer of A.C.T, Herman Saming, is also singing back-up vocals on 2 songs.

(Taken from the official website of LAST TRIBE)

 

Their latest album “WITCH DANCE” is on sale from MARQUEE/Avalon in Japan/Asia (released on March 21st, 2002), and from FRONTIER RECORDS in areas besides Asia (released on April 22nd, 2002).

 

(Discography)

THE UNCROWNED (FRONTIERS, 2003)
WITCH DANCE (FRONTIERS, 2002)
THE RITUAL (FRONTIERS, 2001)

LAMBRETTA (2001) (English)

(L to R) Anders Eliasson(G), Klas Edmundsson(G), Linda Sundblad(Vo),
Tomas Persic(Ds) & Petter Lantz(B).

 

1. What are you doing these days, for new album, for concerts or having holidays?
2. Let us know your latest album / demo tape. What do you want people to pay attention on it? Let us know your favorite songs from it.
3. What do you image from a word “Japan”?
4. What is your goal as a musician? How about as yourself?
5. Let us know your music career and what kind of music you used to play.
6. Let us know your taste of music, your favorite musicians and bands.
7. A message to your Japanese fans for S-ROCK. And your autograph, please.

LAMBRETTA (2001) (English)

 

Sometimes there are big rumors in the music biz around a band that is not heard from many. Sometimes they make success , but when it is time for a 2nd album nobody cares – It was just another hype.

LAMBRETTA is totally opposite. When the englishmen have to read about a new BEATLES everytime they open NME, LAMBRETTA have spend time preparing. Instead of hanging out in the right places, get to know the right people and hang on to the new trends they have focused on their music. The debut album did not really make it to the charts – but the interest for their follow up has nevertheless been quite big.

Things has happened fast. In early September not many knew that the album was due to release.

“When a list in over the autumn releases was published in one major newspaper our album was not mentioned”, says the guitar player AndersEliasson and looks satisfied. “But now the word is out !”

LAMBRETTA had been a band for quite a while when their debut single “Blow My Fuses” was released. That song was a big radio hit and topped the Swedish “Top of Summer”almost the whole summer of ’99. The video also won the cathegory “Best Video of the Year”. Therefor LAMBRETTAhas been considered “a one hit wonder” by some. The one’s that took their time listening to their album would notice it was quite a nice piece of work.

It is still great , but nothing compared to what’s about to come now!

Even the one’s warned was blown away by their 1st single “Bimbo”. A straight in the face kind of song with a groovy heavy metal riff , massive melodies and an attitude , but still down to earth. That song together with a couple more on the album was written by the musical “dream team” Per Aldeheim, Alexander Kronlund and Max Martin.

So, LAMBRETTA is just another band waiting to be given “the magic touch”? “We really had no intention asking them for material” the band says. The fact is that they had written a song aimed for LAMBRETTA and asked the company if they thought that we would be offended by their offer. “They knew we did write all of our material ourselves”.

LAMBRETTA listened and loved the song and agreed that the song quality was a lot more important than the members’ egoes.

“I wrote 80% of the 1st albums songs and now it’s like 3 songs” says Anders, but has no problems with that as it is for the bands best. And LAMBRETTA is really a band. They who have seen them live can assure you they are real energizers on stage. They do not like other Swedish apologize for their presence and have a “butter-cool” attitude – They deliver.

Few have discussed LAMBRETTA without mentioning the difference of age in the group.

When Linda Sundblad joined up she was just 15 years old – just half the age of some of the members. Everyone thought she did ot just fit in, but also gave a vitamin injection to the group and to the whole Swedish music scene; young, smart and talented she became the rock version of Robyn. Many thought she should not stay long in the band, and there was a lot of efforts for making her going solo. But Linda refused.

“The more they tried to convince me to do my own thing and leave the band, the more sure I got to stay and show them that they were wrong” she says. “Because I know how strong we are together – how important everyone in the band are. Playing a lot of gigs without having an album to promote has proved it. We rock and enjoy the stage – and people notice it”.

Linda is 20 now and has been really growing in the roll of “Female Swedish rock star supreme”. Just check out the “Bimbo” video or the way LAMBRETTA opened the Grammy awards a year ago – they really kicked the Swedish music biz’s ass.

If LAMBRETTA earlier stood for pop with heavy guitars , they are today more of a classical rock band with extra big hooks. Nevertheless the real sensitive songs are there, too. They still takes the best out of 4 decades of rock music into the new millenium. At some time the word “arena rock” got a bad rumor. Like if it was a genre of its own . The truth is that arenas are really a nightmare for acts not fitting in there , but can be really tempting and create a nice atmosphere – if it´s the right band onstage.

When you listen to LAMBRETTA’s 2nd album it is easy to imagine hand in the air, lots of lighters and a crowd jumping as one man. All this to a tight and accurate band that knows their material is really strong. The stripes of LAMBRETTA is completed with extremely good road behaviours.

*Taken from the official website of LAMBRETTA*

 

 

(Discography)

LAMBRETTA (UNIVERSAL MUSIC, 2002)
BREAKFAST (UNIVERSAL MUSIC, 1999)